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“20 Tons of Water Erase the Scene: The Mystery of Room 601 After Yu Menglong’s Death and Jiguangguang’s Disappearance” TH

January 30, 2026 by tranpt271 Leave a Comment

“20 Tons of Water Erase the Scene: The Mystery of Room 601 After Yu Menglong’s Death and Jiguangguang’s Disappearance”

On September 11, 2025, actor Yu Menglong (Vu Mộng Long) was found dead after falling from a high floor in a Beijing residential building. Police quickly ruled it an alcohol-related accident, but an unending stream of anomalies has made the official narrative impossible for the public to accept. One of the most shocking elements is this: mere hours after the incident, approximately 20 tons of water were pumped directly into room 601 — the apartment where Yu Menglong is believed to have been before his fall — transforming the site into a man-made flooded zone with the clear intent of thorough decontamination.

According to leaked accounts from residents and building security staff (unverified by official sources), the massive volume of water was pumped continuously for hours, overflowing into hallways and seeping down to lower floors. Internal photos (rapidly deleted from social media) showed floors, walls, and furniture submerged in murky water, as though someone wanted to obliterate every trace of biological material, DNA, or physical evidence. Even more chilling: the official tenant of room 601 — a man known as Jiguangguang — vanished completely immediately after the event, leaving no notice, no trace, and with his social-media accounts wiped clean.

Within just weeks, a new tenant had moved into room 601 without any public announcement from building management. Neighbors describe the newcomer as reclusive, rarely interacting, and seemingly indifferent to the apartment’s dark history. Netizens are asking: Who ordered 20 tons of water into a death scene? Was this standard procedure by authorities for “cleaning,” or a private effort to cover up something far more serious than an accident?

Independent forensic experts (relying on public information) note that such a volume of water would severely compromise the collection of DNA, fingerprints, or blood traces on porous surfaces. Suspicion deepens when combined with other irregularities: unusual injuries on Yu Menglong’s body (signs of hair-pulling, broken teeth, bruising), rumors of an electronic ankle monitor, and more than 150,000 signatures on petitions demanding a reinvestigation. Jiguangguang’s total disappearance adds fuel: was he a witness, an accomplice, or simply an incidental victim of a larger scheme?

The room 601 saga has become a powerful symbol of distrust toward transparency in celebrity-related cases in China. Was the enormous water volume a coincidence, or the clearest proof of a systematic cover-up? And what does the current tenant — now living in the “blood-soaked” apartment — know about its past? The public continues to wait for answers, but the silence from authorities and building management only heightens the sense that the truth was swept away with that flood.

 

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